The ABYB is a biennial reference publication focusing on international activity in the field of book arts.
It serves as a resource for artists, academics, students, collectors, librarians, dealers, publishers and researchers, in fact anyone interested in artists’ books!
Published by Impact Press at The Centre for Fine Print Research, University of the West of England, Bristol, September 2017
Essays: With her regular page for bookartbookshop, Tanya Peixoto celebrates Kelly Wellman; Endangered Species of Book by John Bently, ponders the disappearance of paper-based books from our daily routines; Liminal Moments At The Edges: Reading Montage Narratives in Artists’ Books by Victoria Cooper explores some examples of the montage within bookworks by Australian artists held within the State Library of Queensland, Brisbane; Peter Seddon Reviews the exhibition Press & Release 2016: Technology and the Evolution of The Artist’s Book at Phoenix Brighton, UK; Josh Hockensmith of the Joseph C. Sloane Art Library at the University of North Carolina-Chapel Hill, USA, explains The Artists’ Books Critical Index Project, gathering citations of where specific artists’ books are mentioned or pictured in literature about artists’ books; Egidija Čiricaitė considers In the Space of Time – the metaphor of book space as "time" in artists’ books from the Prescriptions collection held at the University of Kent Special Collections and Archives, UK; in unfoldingthinking – Making Book Art with Scientists, Les Bicknell reflects on his recent artist’s residency at the Centre for Doctoral Training in Nanoscience and Technology at Cambridge University, UK, and the bookworks produced to date; from Poland, in What if my artist’s book is not really an object…, Anna Juchnowicz discusses her long-term project using printmaking, artists’ books and installation to express ideas from the poetry of Sappho today; in BEEZER: Library Interventions, Nick Norton reflects on the artists, designers, writers and performers participating in the interventions programme at Leeds College of Art, UK. Since 2013 Library Interventions has been making the creative potential of the library visible to a wide audience; in Un-Flattened: Book Arts and the Artist’s Map, Rosie Sherwood, UK, asks from the perspective of a book artist – Can a map be a reflection of a place, an experience, an emotional response?
Cover design: Tom Sowden
Artists’ pages by: Stephan Erasmus, Gloria Glitzer, Kellie Hindmarch, Sarah Jacobs, Sophie Loss, Hazel Roberts, Tricia Treacy, and Claire Yspol.
The listings sections detail some of the vast amount of artists’ books activity, education and discussion taking place around the world and include: Artist’s Book Publishers & Presses; Bookshops for artists’ books; Artist’s Book Dealers; Galleries & Centres; Collections, Libraries & Archives; Artist’s Book Fairs and Events; Book Arts Courses and Workshops; resources for Design, Print & Bind; Print and Papermaking Studios; Journals and Magazines; New Reference Publications; Organisations, People, Projects and Societies.
In the Artists’ Books Listings section, you can discover 400+ examples of new artists’ books from the information sent in by artists in the following countries: Argentina, Australia, Belgium, Canada, Cuba, Denmark, France, Germany, Ireland, Italy, Norway, Poland, Russia, Serbia, South Africa, Spain, Sweden, The Netherlands, the UK and the USA.
240pp, 21 x 29.7 cm, black and white offset litho, colour cover. ISBN 978-1-906501-12-9.
Please order your copy online.
For sales of issues from 1994-5, 1996-7, 1998-9, please contact Tanya Peixoto at www.bookartbookshop.com
For issues from 2001 onwards, please see the listings below or browse our online store for special offers.
Published 2015 by Impact Press, UWE Bristol
bookartbookshop: Tanya Peixoto celebrates Magnus Irvin; A Parliament of Children by John Bently, asks if now might be the time to establish a publishing house – run by and for children; The material folio by Tim Mosely looks at the material in relation to haptic in artists’ books; Making Space: London Centre for Book Arts reports on all the wonderful developments at LCBA since it launched in 2012, written by its founders Simon Goode and Ira Yonemura; in Fragile Metaphors, John Mulloy considers the complexities of artists’ books by Sioban Piercy; looking back over 39 years of his life ‘with books, among books, for books’, Radosław Nowakowski makes the numbers add up in his essay 3-6-9; it is with sadness that we publish the essay Systems for the page in the work of Maria Lucia Cattani by Paulo Silveira, who writes about the work of his colleague and friend Maria Lucia Cattani (1958-2015), reflecting on her contribution to the field of artists’ books; Collective Investigations – Egidija Čiricaitė, George Cullen and Chris Gibson – have produced a special feature for this edition of the ABYB reflecting on their performative, interactive work in Reading the Book as an Object; Susan Johanknecht & Katharine Meynell’s essay on their collaborative project Poetry of Unknown Words is a particularly absorbing feminising response to Iliadz’s Poesie de mots inconnus; Gustavo Grandal Montero’s extended interview with Stephen Bann – From Cambridge to Brighton: Concrete poetry in Britain, discusses some seminal moments in the history of Concrete poetry in the UK and abroad from 1964, and Bann’s role within it as an organiser, practitioner, critic and editor.
Artists’ pages by: Ian Andrews, Mireille Fauchon, Martha Hellion, Candace Hicks, Danqing Huang, Paul Laidler, Sophie Loss, Angie Waller and Mark Wingrave.
International listings of artists’ books activity includes: collections, courses, dealers, publishers, galleries, centres, bookshops, libraries, artist-led projects, organisations, societies, print studios, fairs, festivals and competitions.
In the Artists’ Books Listings section you can also find 537 examples of new artists’ books, with information about their work sent in by 182 artists in the following countries: Australia, Belgium, Canada, Chile, China, Denmark, France, Germany, India, Ireland, Italy, Japan, Norway, Poland, Russia, South Africa, Spain, Sweden, The Netherlands, the UK and the USA.
Artist’s Book Yearbook 2016-2017. Published by Impact Press at the Centre for Fine Print Research, UWE Bristol, UK. 20th September 2015. 21 x 29.7 cm, 268pp, b&w litho print throughout, colour cover. Cover design: Tom Sowden.
Published September 2013 by Impact Press, UWE Bristol
Over 600 artist’s book listings from 207 national and international artists. Reference listings of: collections, libraries, archives, bookshops, galleries, centres, design print & bind, publishers, dealers, presses, studios, competitions, fairs, festivals and exhibitions, journals, reference books, organisations, societies, websites, academic projects, touring programmes and courses.
A history of Café Royal by Craig Atkinson; Against Orthodoxy: A ramble in the woods of art by John Bently; Field Study International: Celebrating 20 years in the Field by Sue Hartigan; Women’s Studio Workshop: feminist history and birth of an era by Anna Giordano; Bob Brown’s Reading Machine & the Imagined Escape from the Page by Abigail Thomas; Making it happen with Angie Butler by Linda Newington; Stimulus/response – scratching away at some intrinsic and extrinsic problems in theorising the artist’s book from the far end of a ‘not-so-dark continent’ by David Paton; Book Art Object 2: making a book about books by David Jury; The fourth Codex International Book Fair and Symposium by David Jury; Art as collaboration: 50 years of Edition Hansjörg Mayer – An interview with Eleanor Vonne Brown and Gustavo Grandal Montero; Student report: When is a new ‘BookArtObject’ not an Artist’s Book? by Pete Kennedy; A New World: Johannes Häfner’s Digital Picture Books by Reinhard Grüner; Reading the Literary Text as ‘Art in Space’ Barbara Tetenbaum’s “My Ántonia” by Nathalia King; The Typographic Dante by Barrie Tullett; Les Coleman tribute page, Tanya Peixoto.
Sara Elgerot, Paul Laidler, Stevie Ronnie, Stephen Spurrier, Elisabeth Tonnard, Sylvia Waltering, Michael Weller, Elizabeth Willow, Philippa Wood.
Artist’s Book Publishers and Presses; Bookshops for artists’ books; Artist’s Book Dealers; Artist’s Book Galleries and Centres; Collections, Libraries & Archives; Artist’s Book Fairs and Events; Book Arts Courses and Workshops; Design, Print & Bind; Print Studios; Journals and Magazines; New Reference Publications; Organisations, People, Projects and Societies.
Over 190 national and international artists have also listed their recent book works.
£15 (UK) or £16 (International), 21 x 29.7 cm, 296 pages, black and white offset print.