| about
us • news
• projects
• exhibitions
• bookmarks
• newsletters
•
publications • Bookarts
Courses (CPD) • links • people
• contact
• CFPR
• home |
![]() |
The Blue Notebook:
Journal for artists' books. ISSN 1751-1712 (Print) ISSN 1751-1720 (Online) The Blue Notebook launched in October 2006 as a peer-reviewed journal, published twice a year. |
|
| Downloadable subscription
forms: tbn.rtf (fillable online, attached to e-mail or by print) or tbn.pdf (printable only) The journal is published in two formats: an electronic colour version to be accessed at any time online, and a paper, black and white version. Subscription covers both formats at £10 GBP per annum - UK and international. Written contributions are peer-reviewed by a panel which includes: Tom Trusky, Susan Johanknecht, Maria Fusco, Buzz Spector, Ulrike Stoltz and Paulo Silveira. Some back Issues are available at £5 GBP per copy, which includes access to the online colour version. To order back issues use the downloadable Blue Notebook subscription form above. |
||
| We welcome submissions of writing on contemporary artists’ books for The Blue Notebook, if you need any info or have any questions, please contact Sarah.Bodman@uwe.ac.uk. Artist's page contributions are at the invitation of the art editor, Tom Sowden. Please see the submission guidelines for written contributions. Volume 4 No 1 published October 2009 Cover design by: the artist Stephen Fowler - who has also designed the badges and stickers for this volume. Essays by: Reading in Installments: Book Art Meets Installation, by Elysa Voshell; PROJECT ‘(IN)VISIBLE’ Investigating forms of presentation of the Artist’ Book, by Frans Baake; Personal Matters: Memories, Photography and the Book, by Kyoko Tachibana; Tongue and Groove - 25 Years of Liver and Lights, by Chloë King; Silent Reading - Typography & Sign language, by Nancy Campbell; Using Heidegger’s ideas on the nature of time and relating them to Keith Smith’s Book 91, investigating the book as a form of living art/live experience, by Sarah Clark; Blurring the Library, by Tate Shaw. Artists’ pages by: Scott McCarney, Lilla Duignan, Giulia Resteghini, Dmitry Sayenko and Alice Potter You can subscribe to Vol 4 No 1 and Vol 4 No 2 for £10 GBP by downloading the form at the top of this page. Vol 3 No 2: May 2009 Essays by: Emily Artinian - photo essay: Allen Ruppersberg is everywhere. Lorna Crabbe - explores the archives of LCC to look at women’s craft history. Sarah Jacobs - Squirrels’ Tails and Burnished Gold. Linda Newington - takes a closer look at the work and influences of the artist John Dilnot. Sophie Loss & Nicholas Bruce Lockhart - have posed a few questions about how artist’s book fairs might develop in the future. Sally Alatalo - interviewed by Tom Sowden and Sarah Bodman. Clifton Meador has made a special A DIY artist’s book Illuminated by the Light of Television in this issue. Artists’ pages by: Angie Butler, Nadia Chalabi, Andrew Huot, Emily Larned, Lois Palframan. You can subscribe to Vol 3 No 1 and Vol 3 No 2 for £10 GBP by downloading the form above. Vol 3 No 1: October 2008 Essays by: Robyn Sassen considers the apartheid army as an unexpected incubator for artists’ books in South Africa; Dr Anne Hammond examines non-narrative sequence in photographic books; Your Turn: experiments in narrative and play is co-written by Patricia Allmer, Jonathan Carson, Rosie Miller and John Sears, exploring the book as a site for game-playing and storytelling; Kyoko Tachibana writes about the current state of book arts in Japan, where graphic design is prevalent, and artists’ books are often considered to be “designed” by artists; Danny Flynn shares his experiments with laser cutting acrylic to replace wood and metal type for letterpress print; and Tate Shaw’s Enfolded by Holes, considers the implications of our relationship with the open book. Artists’ pages by: David Faithfull, Nick Thurston, Sandy Christie, Baysan Yüksel, E F Stevens, seekers of lice and Carson & Miller. Cover, sticker and badge designed by Beth White and illustrated by Penny White. Beth White is a freelance designer; her cover, sticker and badge designs for The Blue Notebook are based on rebus puzzles, some of which are phonetic.email : cbethw@hotmail.com Downloadable subscription forms: tbn.rtf (fillable online, attached to e-mail or by print) or tbn.pdf (printable only) The journal is published in two formats: an electronic colour version to be accessed at any time online, and a paper, black and white version. Subscription covers both formats at £10 GBP per annum - UK and international. Written contributions are peer-reviewed by a panel which includes: Tom Trusky, Susan Johanknecht, Maria Fusco, Buzz Spector, Ulrike Stoltz and Paulo Silveira. Some back Issues are available at £5 GBP per copy, which includes access to the online colour version. To order back issues please tick the corresponding box for each on The Blue Notebook subscription form. Vol 2 No 2 : April 2008 Essays by : Martin Antonetti & Mike Nicholson: Parallel Readings; Emily Artinian: Who cares where the apostrophe goes? non/participation in the Wikipedia definition of artists books; Jana Harper: ARTISTS’ BOOKS 2.0: DIY with POD; Emma Moxey: chimaerae verae, A Review; Tennille Shuster: Personalising Design Through Book Arts, and Tony White: Production not Reproduction: Photo-Offset Printed Artists' Books. Artists’ pages by : David Abbott, Clinton Cahill, Jane Hyslop, Bertie Knutzen and J P Willis : out of print Vol 2 No 1 : October 2007 Essays by : Melanie Bush and Emma Powell: Meeting in the Middle - A Book Arts Collaboration; Alan Halsey: IN THE ABSENCE OF BLANCHOT: Nick Thurston’s Reading the Remove of Literature; Sarah Jacobs: Readers 2; Mike Nicholson: STAND WELL BACK - Notes from the Locus position; Tate Shaw: Walking Through Walls: Meditations on Recto/Verso; Chris Taylor: The Top 100, National Gallery of Canada. Artists’ pages by: Amin Musa, Joan Ainley, Todd Abbott, Jackie Batey and Manya Donaque Cover and badge design by Helen Murgatroyd £5 Vol 1 No 2 : April 2007 Essays by : Lynn Sures (USA) VARIATIONS: on the Dialectic between Mingus and Pithecanthropus Erectus; Iain Biggs (UK) Place, Enchantment, and ‘Visual Refrain’: A context for recent book works by Helen Douglas; Frans Baake (The Netherlands): Kirjahduksia Affairs: Artists’ Books in Finland; Kyoko Tachibana (Japan): artists’ books news from Japan; Joanne Lee (UK) on the published works of Sharon Kivland; Nancy Campbell (UK) Creating Co-incidences; The Possibility of Poetry: from Migrant Magazine to Artists’ Books. Artists’ pages by : Matt Lumby, Sue Platt, Christian Brett and Alice Smith, Anwen Williams and Nick Pearson. out of print Vol 1 No 1 : October 2006 (out of print) Essays by : Nola Farman : The Case for Failure in Artists’ Bookworks; Marshall Weber : Justice is Beautiful: Expanding the Paradigm of the Artist's Book; Sarah Jacobs : Reader; Mike Nicholson : Shelf Life - in consideration of new pages turned, fresh narratives and unexpected characters; Tate Shaw : Reading as Prowling, Furtive Roaming; Tim Mosely : Integrating artists' books and papermaking. Artists' pages by: Bill Burns, Lucy May Schofield, Kurt Johannessen, Roy Voss and Angie Waller. back |
||