Book Arts

Artists’ Books Exhibitions in the Bower Ashton Library cases, UWE, Bristol, UK

Sumi Perera et al. [SuperPress EDITIONS]

1st September – 30th October 2016

2B or not 2B, detail of soundwave 2B OR NOT 2B in situ - londonprintstudio and Liminal Spaces at Huddersfield Gallery CARBON FOOTPRINT, 'CarbonArt', City Hall, London MEDIA IS THE MESS AGE, 'Fishwick Papers', Smokehouse, London Perceptions, 2006

An interdisciplinary artist working within various medical, scientific & artist collectives involved in writing, printing and publications, Sumi Perera has often generated work with groups and individuals sharing skills and resources.

She makes the prototype of each prospective collaborative work herself, researching, experimenting and developing, until the work acquires a distinct voice. She then reverses the editorial control, by inviting others to take over the final artistic license to intervene and alter it by re-sequencing, adding, subtracting, inscribing, erasing etc. She does not set a brief or deadline to participants, but merely asks that they respond to the assembled work in any manner they wish to.

The books and pages exhibited are a cross-section of selected collaborations over the last ten years from a cohort of international artists, curators, gallerists, actors, dancers, choreographers, singers, hairdressers and animals; in an active or passive capacity and are all ongoing projects.

List of contributors/participants are included with each project within the exhibition. Some were solitary respondents, working in different spaces, and others worked communally altering each others’ work.

Swaddling & Straddling St Augustine's Tower. TURN THE PAGE - Sam Fernando & Sumi Perera 'WORK IN PROGRESS' (WIP) 'James Joyce & Company', Hadjigeorgakis Kornesios Mansion, Nicosia, Cyprus; LOOP 2014 Bankside London. 'WORK IN PROGRESS' (WIP) 'James Joyce & Company', detail of contributions by Tom Sowden, Lila & Molly Sowden, Angie Butler, Sarah Barnes, Paul Sandameer.  Victor Levine with 'WORK IN PROGRESS' (WIP) 'James Joyce & Company', at LOOP 2014 Bankside London.

PERCEPTIONS (2006). Helen Keller International Award. Designed to increase awareness of deaf-blindness. An artist’s book with detachable SSAEs circulated to form a multi-authored work. The etching plate was designed by Perera, while wearing a blindfold and earplugs following a visit to Sense Scotland, Glasgow.

CARBON FOOTPRINT (2007) CarbonArt, City Hall, London. An exhibition addressing issues on Climate Change. Footprints from a global database, including her own Sri Lankan diaspora were used. These etched footprints were inked with marmite, peanut butter, saffron etc., considered imported exotic non-local foods to Sri Lankans in the 60s.

MEDIA IS THE MESS AGE (2011) Fishwick Papers, Smokehouse, London. Papers were printed using ‘smoke signals’ and placed on the ground (replacing extracted floor-tiles) for visitors to intermix quotes, phrases and build new narratives. Hardcopy and paperback books were also published using only Wikipedia data.

TURN THE PAGE… (2008) ‘Book to Book’ at the Leeds Art Gallery [11th International Contemporary Artist Bookfair, Leeds]. A tribute to my mother (pianist), and a recording of only each ‘page turn’, with the ‘performed music’ in between kept silent (composer/pianist: Samantha Fernando)

WORK IN PROGRESS (WIP) James Joyce & Company, Hadjigeorgakis Kornesios Mansion, Nicosia, Cyprus; LOOP 2014 Bankside London. A tribute to Finnegans Wake – it speculates on the combined acoustic effects Joyce’s typewriter clicks and his daughter Lucia’s dancing feet, might have had on the aural component of the novel. The largest collaboration so far (100+ contributors-from an unborn baby to a posthumous contribution from my father)

UNBUILDING BLOCKS (UB) [Sketch 2013, Rabley Drawing Centre; Standout Print, Highpoint Centre for Printmaking, Minneapolis USA; LOOP 2015, Bankside Gallery; ELP 2015 Embassy Tea Gallery-Lawrence King Publishers Prize; Press & Release, Phoenix, Brighton 2016; Impressions 2016 Artistbook Biennial, Galway; Liminal Space-Flourish Award, Huddersfield Art Gallery]. Many variant responses including a daily headstand to flatten the embossing (Gerry Turvey, dancer/choreographer).

2B or not 2B (2016). A multi-component 3D print and sound installation. (electroconductive inks programmed to generate sound upon touch) A tribute to the 400th Death Anniversary of the Bard. The phrase TO BE OR NOT TO BE is interpreted in various formats: spoken, drawn, written, typed or danced.

She also coordinated the exhibition REMIX/REIMAGINE (New Brewery Arts, Cirencester) for Impress 2016 an International Print Festival, with members of the Gloucestershire Print Cooperative over 6 weeks, responding to several of the above works [WIP, UB & IO-OI]

More details and names of participants are included within the exhibition accompanying each project, more info is available online:

Anyone interested in contacting the artist-email: