
Order your copy of the Artist’s Book Yearbook 2024-2025. The ABYB is a biennial reference publication focusing on international activity in the field of book arts. It serves as a resource for artists, academics, students, collectors, librarians, dealers, publishers and researchers, in fact anyone interested in artists’ books!
The 2024-2025 issue has 10 essays, articles, and lots of useful information on: Artist’s Book Publishers & Presses; Bookshops for artists’ books; Artist’s Book Dealers; Artist’s Book Galleries & Centres; Collections, Libraries & Archives; Artist’s Book Fairs and Events; Book Arts Courses and Workshops; Design, Print & Bind; Print Studios; Journals and Magazines; New Reference Publications; Organisations, People, Projects and Societies.
150+ national and international artists have also listed up to 3 of their recent book works.
Edited by Sarah Bodman. Published by Impact Press at The Centre for Print Research, University of the West of England, Bristol, UK. Published January 2024. 296pp, 21 x 29.7 cm, black and white throughout.
Order your copy via our online store – prices include:
UK postage here.
International postage here. Thank you
Image – Detail of the AI cover design for the ABYB 2024-2025 requested by Tom Sowden.

Each issue of The Blue Notebook is available as a free pdf download from our website.
Articles in Volume 18 No.2:
‘Booking Performance: On Varamo Press’ by David Berridge.
‘REAL LIES’ Tanya Peixoto interviews Natalia Zagorska-Thomas.
A review of two publications on the artists’ books of Susan Allix by Jeanette Koch.
‘ULIXES: OUT IT RUSHES : BLUE’ by Alastair R Noble.
‘Beginner’s Mind – Rodrigo Arteaga Abarca’s poetic practice in collaboration with ecological systems’ by Niamh Fahy
Featured cover and interior pages artist – Cristian Zuzunaga. Cristian is a Bristol-based artist and designer born and raised in Barcelona. The child of a Catalan mother and a Peruvian father, his multicultural background instilled in him a strong sense of curiosity, a desire to explore the world and look at ways in which to define it and one’s place within it.
Download your free copy here.
Image: Detail from the cover design for Vol 18 No 2 by Cristian Zuzunaga.

WBN United Artists invited participants to respond to a text or book about birds, then make a postcard to send for an exhibition and mail art swap.
We received 250+ postcards from Argentina, Australia, Austria, Brazil, Canada, France, Germany, Hong Kong, India, Italy, Malaysia, the Netherlands, New Zealand, Norway, Pakistan, Poland, Portugal, Russia, South Africa, Sweden, Switzerland, Turkey, UK and the USA.
All artworks are being shared publicly over the next few months with exhibitions in Bristol and Hong Kong, and featured on Linda Parr’s Instagram page. Our first exhibition is mid-April – June here at UWE in the library’s gallery area. Students from HKDI are displaying postcards alongside the main show. Find out more about this year’s exhibition here.
Find out more about our past World Book Nights in the video ‘What We Do in the Shadows: bringing book arts into World Book Night’ here.
Image: Detail from WBN 2024 postcard by Claire B. Marcus.

Please make a note to save the date for our next Bristol Artist’s Book Event at Bower Ashton which will take place over the weekend of 29th and 30th June 2024.
The first Bristol Artist’s Book Event (BABE) was organised by Sarah Bodman and Tom Sowden in collaboration with Peter Begen, Julian Warren and Snoozie Claiden at Arnolfini in 2007. It has since grown into an international event showcasing artists’ books to the public over a weekend every two years. In 2022 BABE moved to our Bower Ashton campus to create space for a larger event with talks, displays, performances and workshops alongside 100 exhibitor stands. Since its first outing, BABE has established a great reputation as a relaxed and friendly event to meet and talk to book artists about their work and buy works of art.
We have 100+ exhibitors coming from all over the UK and Ireland, Belgium, France, Germany, Japan, Sweden and the USA and books arriving from Australia, Poland and the USA.
We’ll have a full programme of talks and workshops. Free event. 11am – 5pm each day.
More information can be found here. We hope you can come along!
Image: Artist’s book by Janet Allsebrook, showing at BABE 2024

The Centre for Print Research offers a series of dynamic Continuing Professional Development courses (CPD) aimed at a wide audience including artists, designers, craftspeople, communicators, photographers, teachers and managers. CPD courses offer the opportunity for professional updating, learning new skills and techniques, and for intellectual stimulus.
Concessionary rate prices: We offer a 20% discounted concessionary rate to UWE staff, UWE alumni (including previous CFPR CPD attendees), anyone reliant on state benefits for their income, anyone currently in full-time education (worldwide) or part-time higher education (UK), and those who are retired.
Courses take place at UWE Frenchay Campus unless otherwise stated . Browse the range of course and book your place here.
Image: Detail from Collage Book College a 2-day course with Jeremy Dixon of Hazard Press, 16 – 17 April 2024.

This touring exhibition is part of the ongoing al-Mutanabbi Street Starts Here Coalition projects. The online Inventory gallery was launched to coincide with the fifth anniversary of the bombing of al-Mutanabbi Street on 5th March 2012, for which project partners around the world held commemorative readings and events. The gallery pages show images and information for each of the 260 books completed for the project.
Exhibitions held since the launch of the tour include:
The Westminster Reference Library, Westminster, UK; The Powell Library Rotunda, UCLA, Los Angeles, California, USA; Salt & Cedar Letterpress Studio, Detroit, Michigan, USA; The Cambridge Arts Council, Cambridge, Massachusetts, USA; The Santa Fe University of Art and Design, Santa Fe, New Mexico, USA; The John Rylands Library, Manchester, UK; The San Francisco Center for the Book, San Francisco, California, USA; Gallery Route One, Point Reyes, California USA; the Center for Book Arts, New York in association with Alwan for the Arts, Columbia University Libraries Butler Library, International Print Center New, Poets House, New York, USA; Literary & Philosophical Society Library, Newcastle upon Tyne, UK; Collins Memorial Library, University of Puget Sound, Tacoma, Washington, USA; Curry College, Milton, Massachusetts, USA; American University in Cairo, Egypt; Arab – British Centre, London, UK; The Mosaic Rooms, London, UK; Kate Chappell ’83 Center for Book Arts at the University Of Southern Maine, USA; The Hague Public Library, The Netherlands; Queen Elizabeth II Library, Memorial University, St. John’s, Newfoundland, Canada; Jaffe Center for Books Arts, Florida Atlantic University, USA; Central Library of Rochester and Monroe County, Rochester, New York, USA; Goddard College, Vermont, USA; Arab American National Museum, Dearborn/Detroit, Michigan, USA; Idaho Center for the Book in partnership with The Arts and Humanities Institute at Boise State University, USA; George Mason University, Fairfax, Virginia, USA; Herron School of Art and Design, The Herron Art Library of IUPUI University library, USA; Keats House and the Iraqi Cultural Centre, London; the Arab American National Museum, Dearborn, USA; Idaho Center for the Book in partnership with The Arts and Humanities Institute at Boise State University; Al-Mutanabbi Street Starts Here DC 2016 a partnership between George Mason University’s School of Art and George Mason University Libraries, Split This Rock, Smith Center for Healing and the Arts, McLean Project for the Arts, Corcoran School of the Arts and Design at The George Washington University, Busboys and Poets, Georgetown University, Cultural DC, Smithsonian Libraries, Brentwood Arts Exchange, Smithsonian American Art Museum, National Portrait Gallery, Northern Virginia Community College, George Mason University Student Media and Fourth Estate Newspaper; Rosenberg Library at the City College of San Francisco, USA; Konstlitografiska museet, Helliden, Sweden; Hatcher Library, University of Michigan, USA; UC Santa Barbara Library, California, USA.
The image shown here is a detail from Al-Mutanabbi by Dikko Faust & Esther K Smith, Purgatory Pie Press. You can find out more about the Al-Mutanabbi Street Starts Here project on the LAAF Festival website.