Sarah and Tom have been invited to show their artists’ books in the exhibition Pagination, curated by Caelli Jo Brooker and Gillean Shaw at The University of Newcastle Gallery, Callaghan NSW, Australia.
Pagination is a profile of contemporary artist’s book practice. Featuring the work of local, national and international artists and designers working with the book form, the exhibition is being held alongside the Australian Book Design Awards (ABDA).
The exhibition also includes the work of University students and alumni, and brings together diverse practices and perspectives on the book, connecting book artists, book designers, independent small presses, photographers, printmakers, paper engineers, typographers, comic artists, and zine makers.
A programme of workshops will be run in conjunction with the exhibition, and further information can be obtained by contacting the Gallery. The University of Newcastle (UoN), University Drive, Callaghan NSW 2308, Australia.
Advance notice for this touring exhibition project in libraries, curated by Anton Hecht. The second show for this project launched in Darlington Central in October 2015, after a first install in Gateshead central library in 2013 of a set of flipbooks by other artists; this is the second part of the project, supported by Creative Darlington and ACE.The show was in Falmouth Massachussetts USA in January, then at Middleton public library USA in March, before coming back to the UK in April. The next venue will be Bower Ashton Library, UWE Bristol in May. The USA tour was supported by Library as Incubator. The image here is of Hollie Lisle’s book for the ‘Undercover Festival of Flipbooks’. There is more information on the project, and some videos of the books in action at: http://undercoveranimation.tumblr.com
The 2016 BPS Convention is hosted by the Maidenhead Branch and will take place 8th – 10th April at the Holiday Inn Hotel, Filton, Bristol, BS16 1QX. The Convention includes a one-day printing show on Saturday 9th April, 10am – 3pm which will have lots of stands, demos, talks, printing equipment and materials for sale. The fair is free and open to the public. For more information about the British Printing Society, visit: http://www.bpsnet.org.uk
Volume 10 No 2, Spring – Summer 2016 will be published in April 2016.
Articles: Ousama Lazkhani: The Four Guardians of the Sky’; Lina Nordenström of Grafikverkstan Godsmagasinet: ‘Why books? – From image to readable text’; Stevie Ronnie: ‘Arctica’; Helen Scalway: ‘Free Speech’, and Na’ama Zussman: ‘Sam Winston – A Production of Place’.
Artists’ pages by: Mark Addison Smith, Julia Borissova, Siobhán Britton, Friederike von Hellermann
Cover: Nancy Campbell.
A subscription to Volume 10, No 1 and 2 is £10, including UK/International p&p.
Sarah was invited to give a talk on artists’ books and discuss the project Al- Mutanabbi Street Starts Here for the Book Arts Day. Sarah also showed physical examples of works for handling at the London and South Region of The Society of Bookbinders Book Arts Day on Saturday 5th March 2016 in Kentish Town, London. It was a busy day with new connections made between book artists and book binders, organised by Sónia Serrão. You can read a review of the day’s events by Inês M. Ferreira on her blog
This exhibition is on display in the library cases here at Bower Ashton Library from Tuesday 1st March – Sunday 17th April 2016. Jeremy Dixon will host a public handling session / chat with the books on display on Saturday 2nd April, 2pm – 3pm at Bower Ashton Library. If you would like to come to this, please email Sarah before Friday 1st April to go on the list: Sarah.Bodman@uwe.ac.uk You will need to arrive promptly for 2pm group entry to the library.
A book arts and cultural festival running until 31st March 2016, throughout the Washington, DC, area, USA. Exhibitions, programmes, and events will commemorate the 2007 bombing of Baghdad’s historic bookselling street, celebrate the free exchange of ideas and knowledge, and stand in solidarity with the people of Iraq. The centrepiece of the festival is a poetry reading, with music, on the anniversary of the bombing, March 5, 2016, at the Smithsonian American Art Museum and National Portrait Gallery McEvoy Auditorium.
Al-Mutanabbi Street Starts Here DC 2016, has multiple components: Exhibitions and Artists’ Talks; Literary Programmes; Artist Workshops; a Street Festival and a Film Festival. The project takes its name from and examines al-Mutanabbi Street in Baghdad, a winding street about one thousand feet long, a great humanitarian centre noted for its many bookstores and outdoor bookstalls where people gathered in intellectual pursuit. Named after the famous classical Arab poet Abu at-Tayyib al-Mutanabbi (915-965 CE), it has been a thriving centre of Baghdad’s bookselling and publishing worlds for many years.
On March 5th, 2007, a car bomb exploded on Al-Mutanabbi Street, killing 30 and injuring 100 and destroying many bookselling businesses as well as the historic Shabandar Café, where intellectuals had met for generations.
Through the efforts of Beau Beausoleil, a poet and San Francisco bookseller, a coalition of poets, artists, writers, printers, booksellers, and readers was created within a short time of the bombing; broadsides of their writings and artwork about this tragic event were printed, and recitations were made in many cities. An anthology was published to honour the cultural achievements of a society that has been forever damaged and to acknowledge that art and visual literacy could support the Iraqi population and others where free expression is threatened.
Partners: George Mason University’s School of Art and George Mason University Libraries, Split This Rock, Smith Center for Healing and the Arts, McLean Project for the Arts, Corcoran School of the Arts and Design at The George Washington University, Busboys and Poets, Georgetown University, Cultural DC, Smithsonian Libraries, Brentwood Arts Exchange, Northern Virginia Community College, George Mason University Student Media and Fourth Estate Newspaper.
Further information on all of the exhibitions and events for Al-Mutanabbi Street Starts Here DC 2016 can be found at: www.amsshdc2016.org/exhibitions.html
Organised by Catherine Cartwright, the Absence and Presence (Al-Mutanabbi Street Starts Here) exhibition is running over multiple venues in Exeter from February 2016. The main exhibition is at Exeter Library 1st Feb – 30th March. An installation and poetry marathon, with free bookmaking and bookmarks workshops will take place on Friday 4th March 2016 at Kaleider and the Central Library in Exeter, for details visit: almutanabbistreetexeter2016.wordpress.com
Catherine Cartwright is the UK Coordinator of Absence and Presence a printmaking response by 260 artists from around the world to the bombing of Al Mutanabbi Street, Baghdad on 5th March 2007.
268 pages of artist’s book goodness.
bookartbookshop, Tanya Peixoto celebrates Magnus Irvin; A Parliament of Children by John Bently, asks if now might be the time to establish a publishing house – run by and for children; The material folio by Tim Mosely looks at the material in relation to haptic in artists’ books; Making Space: London Centre for Book Arts reports on all the wonderful developments at LCBA since it launched in 2012, written by its founders Simon Goode and Ira Yonemura; in Fragile Metaphors, John Mulloy considers the complexities of artists’ books by Sioban Piercy; looking back over 39 years of his life ‘with books, among books, for books’, Radosław Nowakowski makes the numbers add up in his essay 3-6-9; it is with sadness that we publish the essay Systems for the page in the work of Maria Lucia Cattani by Paulo Silveira, who writes about the work of his colleague and friend Maria Lucia Cattani (1958-2015), reflecting on her contribution to the field of artists’ books; Collective Investigations – Egidija Čiricaitė, George Cullen and Chris Gibson – have produced a special feature for this edition of the ABYB reflecting on their performative, interactive work in Reading the Book as an Object; Susan Johanknecht & Katharine Meynell have written up a version of their dinner speech presentation from the PAGES Leeds | 18th International Contemporary Artist Book Fair in March 2015. Johanknecht & Meynell’s essay on their collaborative project Poetry of Unknown Words is a particularly absorbing feminising response to Iliadz’s Poesie de mots inconnus; Gustavo Grandal Montero’s extended interview with Stephen Bann – From Cambridge to Brighton: Concrete poetry in Britain, discusses some seminal moments in the history of Concrete poetry in the UK and abroad from 1964, and Bann’s role within it as an organiser, practitioner, critic and editor.
Artists’ pages by: Ian Andrews, Mireille Fauchon, Martha Hellion, Candace Hicks, Danqing Huang, Paul Laidler, Sophie Loss, Angie Waller and Mark Wingrave.
An ever-growing listings section of artists’ books activity, collections, courses, dealers, publishers, galleries, centres, bookshops, libraries, artist-led projects and print studios, fairs, festivals and competitions.
In the Artists’ Books Listings section you can also find 537 examples of new artists’ books, with information about their work sent in by 182 artists in the following countries: Australia, Belgium, Canada, Chile, China, Denmark, France, Germany, India, Ireland, Italy, Japan, Norway, Poland, Russia, South Africa, Spain, Sweden, The Netherlands, the UK and the USA.
Artist’s Book Yearbook 2016-2017. Published by Impact Press at the Centre for Fine Print Research, UWE Bristol, UK. 20th September 2015. 21 x 29.7 cm, 268 pp, b&w litho print throughout, colour cover. Cover design: Tom Sowden.
On the day of World Book Night we will be in Halifax (West Yorkshire, UK) for a moors-based musical trip with John Bently, Nancy Campbell, Stephen Fowler and and many others. We will make a collaborative artist’s book in the afternoon, with pre-cut and folded books and rubber stamping production line session, so everyone can go home with a book of everyone’s stamps.
If you would like to join us on the day or join in remotely, here are your instructions:
Read The Handmaid’s Tale, then produce a rubber stamp of something in it or inspired by it (max size 5 x 8 cm). If you are coming to Halifax, bring your rubber stamp and an ink pad with you, if you cannot, send just the rubber stamp to Sarah before 10th April 2016. If you would like to join us, please email Sarah for directions or postal address if sending: Sarah.Bodman@uwe.ac.uk
Everyone who makes a stamp will get a copy of the book we make with everyone’s stamps in. If you are sending yours from elsewhere, we will return it to you afterwards with a copy of the collaborative artist’s book. Here is what we did for World Book Night in 2015.
This project is touring internationally until 2018. The online Inventory gallery was launched to coincide with the fifth anniversary of the bombing of al-Mutanabbi Street on 5th March 2012, for which project partners around the world held commemorative readings and events. Since then the Inventory has grown as artists’ books created for the project have arrived. The gallery pages show images and information for each of the 260 books completed for the project.
Exhibitions since the launch of the tour include:
The Westminster Reference Library, Westminster, UK; The Powell Library Rotunda, UCLA, Los Angeles, California, USA; Salt & Cedar Letterpress Studio, Detroit, Michigan, USA; The Cambridge Arts Council, Cambridge, Massachusetts, USA; The Santa Fe University of Art and Design, Santa Fe, New Mexico, USA; The John Rylands Library, Manchester, UK; The San Francisco Center for the Book, San Francisco, California, USA; Gallery Route One, Point Reyes, California USA; the Center for Book Arts, New York in association with Alwan for the Arts, Columbia University Libraries Butler Library, International Print Center New, Poets House, New York, USA; Literary & Philosophical Society Library, Newcastle upon Tyne, UK; Collins Memorial Library, University of Puget Sound, Tacoma, Washington, USA; Curry College, Milton, Massachusetts, USA; American University in Cairo, Egypt; Arab – British Centre, London, UK; The Mosaic Rooms, London, UK; Kate Chappell ’83 Center for Book Arts at the University Of Southern Maine, USA; The Hague Public Library, The Netherlands; Queen Elizabeth II Library, Memorial University, St. John’s, Newfoundland, Canada; Jaffe Center for Books Arts, Florida Atlantic University, USA; Central Library of Rochester and Monroe County, Rochester, New York, USA; Goddard College, Vermont, USA; Arab American National Museum, Dearborn/Detroit, Michigan, USA; Idaho Center for the Book in partnership with The Arts and Humanities Institute at Boise State University, USA; George Mason University, Fairfax, Virginia, USA; Herron School of Art and Design, The Herron Art Library of IUPUI University library, USA; Keats House and the Iraqi Cultural Centre, London; the Arab American National Museum, Dearborn, USA; Idaho Center for the Book in partnership with The Arts and Humanities Institute at Boise State University.