
Baghdad 1258 A. D.
Ruth Ginsberg-Place, USA

Baghdad 1258 A. D.;
Ruth Ginsberg-Place, Brookline, MA, USA, January 2013
In 1258 A.D. Mongol invaders plundered the city of Baghdad while
the young calligrapher, Ibn Shakir, watched
from a minaret. He witnessed soldiers destroying ten thousands of
books and throwing them into the Tigris River where the ink from
the pages mixed with the blood from dead bodies turning the waters
red and black. For the first time, he made drawings to record the
devastation. After fleeing Baghdad, he retrained as a painter, becoming
the Islamic world's greatest miniaturist. He believed that
unlike ripping a page of text from a book that would destroy its
continuity and meaning, if a painted page was torn out of a book
it could live on as an individual image or become part of a new
book and perhaps have an eternal life.
In commemorating the destruction of a street devoted to the written
word, the Al-Mutanabbi Starts Here project
has parallels to Ibn's story. Although he never wrote again,
he continued to express himself in painting. Expression lives on
and transforms. My book depicts the blue and black waters of the
Tigris churning violently with blood red streaming through them,
as a grey figure watches. The text describes the plunder; the cover
abstracts the turbulent waters.
Dimensions: 10 x 10” closed, 10 x27” open; Medium: Archival
pigment print created from three monotype paintings then printed
on both sides of Rives BFK paper
Ruth Ginsberg-Place, photographer, printmaker
and book artist, was born in New York City. Trained in painting
and fiber arts, she had been a tapestry artist early in her career.
Her artists' books, accompanied by text, deal with nature,
autobiography and politics. Ruth's latest one-person exhibition
was 'Wanderings on the Schoodic Peninsula',
photographs and journals created in residency at Acadia National
Park. After receiving her MFA from Syracuse University she taught
Art in Southern Illinois University. Collections include: Boston
Public Library, The Art Institute of Chicago, Johns Hopkins University's
Center for Bioengineering, and others. Her studio is at the Boston
Center for the Arts.
ginsberg@rcn.com
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