
What's Been Lost… What Remains
Annie Silverman, USA

What's Been Lost…
What Remains; Annie Silverman, Somerville,
MA, USA, August 2012
A selective chronology through recorded time concerning the destruction
of books by natural and unnatural means.
The gathering of ideas and images for What's
Been Lost…What Remains… began with research.
In 1995 I attended a fascinating exhibition of Islamic Books, and
Calligraphy, Pages of Perfection, at the
Metropolitan Museum of Art in New York that was from the Russian
Academy of Science in St. Petersburg. I initially examined the catalogue
for possible images of books with al-Mutanabbi's poems, but
there were none.
What I discovered instead, were images from The
Book of Sciences (14th Century) of 4 small brightly coloured
vessels painted in flat gouache that look like delicate perfume
vials, but were instead containers for Greek Fire,
“flammable mixtures”, and early prototypes of modern
hand grenades. This vessel shape became the book's container.
The ideas of both preserving knowledge and imagery through time
in books and the destruction of books through time seemed important
elements to pursue and combine in this project.
Also included in this catalogue were wondrous images from Dioscorides's
(1st century) De Materia Medica, and The
Wonders of Creation and The Oddities of
Existence (1203-1282) which were adapted for the inside covers
of the books.
The chronology of books destroyed by natural and unnatural causes
was adapted from an appendix in Polastron's
2007: Books on Fire: The tumultuous story of the
World's Great Libraries (Thames & Hudson 2007)
Edition Size: 4 variable editions; Size: Cover (14th Century pink
hand grenade model) 16” h x 24.5” opened flat Interior
book: 10” x 20.5”
Materials: Archival Mat Board, acrylic paint, Japanese paper and
rag paper, texts and imagery printed by means of polyester plate
lithography, sewn with waxed linen
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