
Al-Mutanabbi Street
Rae Trujillo, USA

Al-Mutanabbi Street;
Rae Trujillo, USA, 2013
When I committed to work on the Al-Mutanabbi Street
Project, I literally dreamed of white handprints on Plexiglas.
It is important for me to touch as broad an audience as possible.
I wanted anyone in any language and any background to feel what
happened, it is a crime against us all.
The book has many layers of meaning, such as a black handprint for
oppression, red for the bloodshed and white for the future and what
is possible. The book is transparent, a metaphor for behaviours.
It allows light to pass through but it also reflects. When the book
is closed you see layers of handprints. Then the accordion folds
out to reveal many handprints and letters fly across the page and
words unravel. When the book closes, we are all one, once more.
When we ponder and share the memory of Al Mutanabbi Street, it lives.
Edition of 10; Size: 5” x 6”; Materials: Plexiglas,
ink, adhesive bandages
Rae Trujillo received her BA from California
State University Hayward with an emphasis in sculpture. Making books
satisfies her interest in story-telling and gives her passions a
place to be shared. She is intrigued by structures and likes to
experiment with a variety of materials. She mingles many disciplines
into one art form. She is challenged to create books that people
can fall into and understand.
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